James worked with Brian Eno on the production of their most original and harmonious of albums. He contributed
some performance, but mostly it was his inspiration and production that led the group to their best output.
Originally it was intended that Wah Wah was to be released simultaneously with Laid. Wah Wah was their rehearsals,
experimentation, and jam sessions that helped to inspire Laid. Unfortuantely it was released later and the logical
linkage was lost. However, the revised box set brings it all together, with lots of unreleased material.
Uncle Meat - Frank Zappa and the Mothers of Invention
Originally scored as the soundtrack to the film of the same name, this album introduced a style of
music encompassing every idiom imaginable, from classical, through jazz, folk, rock and everything in between.
It was for me a truly seminal piece, inspired by the likes of Edgar Varese, one of Zappa's favourite composers.
Although the film was never finished and very little of the music on this album was used in it anyway,
this provides a strange and often bizarre narrative, quite typical of the then youthful Zappa.
The emergence of 'Krautrock' in the late 1960s provided a very fertile ground for innovative and
original music, often inspired by the Avant Garde masters like Karlheinz Stockhausen. Of all the
German rock groups of the time, Can was one of the most innovative and prolific and their masterpiece,
Tago Mago demonstrated their ability to create driving rhythms, with taut percussion and strong basslines,
strident guitar and haunting and ephemeral vocals. The album also includes some brilliantly improvised and
totally unstructured pieces such as Aumgn.
This was one of the earliest albums I heard of Jimi Hendrix. As a young teenager,
this was a remarkable and quite stunning introduction to the guitar genius of Jimi Hendrix.
It includes many iconic songs, such as Voodoo Chile, which was released as a single
at the time, but for me the two tracks that stand out most are All Along The Watchtower
and the longer, blues version of Voodoo Chile which features on the first side straight
after Crosstown Traffic.
All Along The Watchtower was one of many covers of Bob Dylan's songs that Hendrix
featured. He was able to take a great song and add so much more to it through his mastery
of the guitar and the totally free-form nature of his playing. Voodoo Chile, which is
loosely based upon Catfish Blues, was recorded in the studio, with Mitch Mitchell on drums,
Steve Winwood of Traffic playing organ and Jack Casady of Jefferson Airplane on bass.
It was recorded with background atmospheric sounds to give the impression it was performed
in a small nightclub in an intimate and impromptu jam session. It was in fact well planned
and recorded several times before reaching the final version.
My Life In The Bush Of Ghosts - Brian Eno & David Byrne
Brian Eno was by this time, getting involved in a huge variety of projects
working with exciting new up-and-coming bands such as Devo and Talking Heads
(see More Songs About Buildings and Food). As well as providing creative input
to the music, he was producing some of the period's most interesting albums.
At the same time he was working with inspirational musicians such as David
Byrne of Talking Heads and this is one of the experiments that came out of
This album experiments with rhythms, sampled sounds from speech, radio etc,
and puts together ideas that stretch the norms of contemporary music.
More Songs About Buildings and Food - Talking Heads
In the post-punk era new straightforward rock music emerged that had a
less raw edge and explored interesting new ideas in modern styles. At the
forefront was Talking Heads, whose second album, produced by Brian Eno,
really exemplified a new direction for popular music.